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Music in Pacific Island Cultures: Experiencing Music, Expressing Culture
by Diettrich, Brian; Freeman Moulin,... | PB | Good
US $53,01
CircaEUR 45,33
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Numero oggetto eBay:146289595979
Specifiche dell'oggetto
- Condizione
- Buone condizioni
- Note del venditore
- Binding
- Paperback
- Book Title
- Music in Pacific Island Cultures
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780199733408
Informazioni su questo prodotto
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199733406
ISBN-13
9780199733408
eBay Product ID (ePID)
110549065
Product Key Features
Number of Pages
224 Pages
Publication Name
Music in Pacific Island Cultures : Experiencing Music, Expressing Culture
Language
English
Publication Year
2011
Subject
History & Criticism, Ethnomusicology, Ethnic
Type
Textbook
Subject Area
Music
Series
Global Music Ser.
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
9.6 Oz
Item Length
5.4 in
Item Width
8.1 in
Additional Product Features
Intended Audience
College Audience
LCCN
2011-020164
Dewey Edition
23
Number of Volumes
1 vol.
Illustrated
Yes
Dewey Decimal
781.62/994
Table Of Content
Table of ContentsForewordPrefaceOrthography and PronunciationCD Track ListPrologue1. Diversity in Pacific Island MusicsPolynesiaMusic as WordsCommunities of SoundMicronesiaMusic and Dance PracticesMusic as Expressions and SentimentMusic as Cultural Heritage and IdentityMelanesiaThe Multi-Art CeremonyMaterials and Musical InstrumentsPidgin Languages and MusicSummary2. Music and Colonial ExperiencesIntroductionMicronesiaEarly Colonial AppropriationsInterfaces with JapanInterfaces with the United StatesMelanesiaCeremonial Culture as FolkloreTime, Authority, and MilitarismThe "Singing Cowboy" and the Individual SelfPolynesiaReconfiguring CelebrationHimene TaravaMusic for the Dance3. Musical Expressions of the SacredIntroductionPolynesiaMusic in the Eglise Protestante Ma'oiHimene Tarava as Polynesian HymnodyMicronesiaMusic and Christian WorshipReligious Music Across TimeMusic and Indigenous Spiritual PracticesInnovations in Contemporary Christian MusicMelanesiaSound as Spirit VoicesChristian Hymnody in VanuatuCargo CultsSummary4. Music and Global FlowIntroductionMelanesiaString BandAilan reggaePop-"Tribal" Fusion MusicPolynesiaIsland SongsFusing Polynesian CulturesHaka TravelsMicronesiaMusical Networks Across Pacific BoundariesExchangng and Appropriating DancesMusic and Migrant Communities in Hawai'iThe Flow of Popular MusicSummary5. Music, Performance, and RepresentationIntroductionPolynesiaTourism and the Hotel ShowFestivalization and Cultural TourismMelanesiaThe Cultural Festival for Community BenefitMelanesian Identity and the "World Music" FestivalMelanesian Identity as "Pacific" IdentityMicronesiaRepresentations from Beyond the PacificPerformances for Pacific Island Others and SelvesEpilogueGlossaryReferencesResourcesIndex
Synopsis
The islands of Melanesia, Micronesia, and Polynesia are steeped in diverse musical traditions that reach far beyond the expanse of the Pacific Ocean. Music in Pacific Island Cultures is the first brief, single-volume text to provide a thematic, succinct introduction to the music of the Pacific Islands--a region of the world that has long been underrepresented in ethnomusicological studies., Music in Pacific Island Cultures is one of several case-study volumes that can be used along with Thinking Musically, Second Edition, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present.The islands of Melanesia, Micronesia, and Polynesia are steeped in diverse musical traditions that reach far beyond the expanse of the Pacific Ocean. Music in Pacific Island Cultures is the first brief, single-volume text to provide a thematic, succinct introduction to the music of the Pacific Islands - a region of the world that has long been underrepresented in ethnomusicological studies.Based on the authors' extensive fieldwork and experiences in Pacific Island cultures, the text draws on interviews with performers, eyewitness accounts of performances, vivid illustrations, and insights gained from ongoing participation in Pacific music. The authors use four themes - colonialism, belief systems, musical flows, and the re/presentation of Pacific cultures - to survey the region and draw parallels and contrasts between its various musical traditions.Packaged with a 70-minute audio CD containing musical examples discussed in the book, Music in Pacific Island Cultures features numerous listening activities that engage students with the music. The companion website includes a comprehensive Instructor's Manual with suggested classroom activities.Visit www.oup.com/us/globalmusic for a list of books in the Global Music Series. The website also includes instructional materials to accompany each volume., Music in Pacific Island Cultures is one of several case-study volumes that can be used along with Thinking Musically, Second Edition, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each casestudy uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present.The islands of Melanesia, Micronesia, and Polynesia aresteeped in diverse musical traditions that reach far beyond the expanse of the Pacific Ocean. Music in Pacific Island Cultures is the first brief, single-volume text to provide a thematic, succinct introduction to the music of the Pacific Islands--a region of the world that has long been underrepresented in ethnomusicological studies.Based on the authors' extensive fieldwork and experiences in Pacific Island cultures, the text draws on interviews with performers,eyewitness accounts of performances, vivid illustrations, and insights gained from ongoing participation in Pacific music. The authors use four themes--colonialism, belief systems, musical flows, and there/presentation of Pacific cultures--to survey the region and draw parallels and contrasts between its various musical traditions.Packaged with a 70-minute audio CD containing musical examples discussed in the book, Music in Pacific Island Cultures features numerous listening activities that engage students with the music. The companion website includes a comprehensive Instructor's Manual with suggested classroom activities.Visitwww.oup.com/us/globalmusic for a list of books in the Global Music Series. The website also includes instructional materials to accompany each volume., Music in Pacific Island Cultures is one of several case-study volumes that can be used along with Thinking Musically , Second Edition, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. The islands of Melanesia, Micronesia, and Polynesia are steeped in diverse musical traditions that reach far beyond the expanse of the Pacific Ocean. Music in Pacific Island Cultures is the first brief, single-volume text to provide a thematic, succinct introduction to the music of the Pacific Islands--a region of the world that has long been underrepresented in ethnomusicological studies. Based on the authors' extensive fieldwork and experiences in Pacific Island cultures, the text draws on interviews with performers, eyewitness accounts of performances, vivid illustrations, and insights gained from ongoing participation in Pacific music. The authors use four themes--colonialism, belief systems, musical flows, and the re/presentation of Pacific cultures--to survey the region and draw parallels and contrasts between its various musical traditions. Packaged with a 70-minute audio CD containing musical examples discussed in the book, Music in Pacific Island Cultures features numerous listening activities that engage students with the music. The companion website includes a comprehensive Instructor's Manual with suggested classroom activities. Visit www.oup.com/us/globalmusic for a list of books in the Global Music Series. The website also includes instructional materials to accompany each volume.
LC Classification Number
ML3774.D54 2012
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