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From Mouse to Mermaid: The Politics of Film, Gender, and Culture by Bell, Eliza
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From Mouse to Mermaid: The Politics of Film, Gender, and Culture by Bell, Eliza
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From Mouse to Mermaid: The Politics of Film, Gender, and Culture by Bell, Eliza

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    Specifiche dell'oggetto

    Condizione
    Ottime condizioni: Libro che non sembra nuovo ed è già stato letto, ma è in condizioni eccellenti. ...
    Book Title
    From Mouse to Mermaid: The Politics of Film, Gender, and Culture
    ISBN
    9780253209788

    Informazioni su questo prodotto

    Product Identifiers

    Publisher
    Indiana University Press
    ISBN-10
    0253209781
    ISBN-13
    9780253209788
    eBay Product ID (ePID)
    56553

    Product Key Features

    Number of Pages
    280 Pages
    Publication Name
    From Mouse to Mermaid : the Politics of Film, Gender, and Culture
    Language
    English
    Publication Year
    1995
    Subject
    Film / Genres / Animated, Film / General, Film / Genres / General, Women's Studies
    Type
    Textbook
    Author
    Lynda Haas
    Subject Area
    Performing Arts, Social Science
    Format
    Trade Paperback

    Dimensions

    Item Height
    0.7 in
    Item Weight
    15.7 Oz
    Item Length
    9.4 in
    Item Width
    7.1 in

    Additional Product Features

    Intended Audience
    Scholarly & Professional
    LCCN
    94-049374
    Dewey Edition
    20
    Grade From
    College Graduate Student
    Dewey Decimal
    791.43/75/0973
    Table Of Content
    Acknowledgments Introduction: Walt's in the Movies?Elizabeth Bell, Lynda Haas, and Laura Sells Section I: Sanitizations/Disney Film as Cultural Pedagogy Breaking the Disney Spell?Jack Zipes Memory and Pedagogy in the "Wonderful World of Disney": Beyond the Politics of Innocence?Henry A. Giroux Pinocchio?Claudia Card Disney Does Dutch: Billy Bathgate and the Disneyficationof the Gangster Genre?Robert Haas The Movie You See, The Movie Don't: How Disney Do's That Old Time Derision?Susan Miller and Greg Rode Section II: Contestations/Disney Film as Gender Construction Somatexts at the Disney Shop: Constructing the Pentimentos of Women's Animated Bodies?Elizabeth Bell "The Whole Wide World was Scribbed Clean": The Androcentric Animation of Denatured Disney?Patrick D. Murphy Bambi?David Payne Beyond Captain Nemo: Disney's Science Fiction?Brian Attebery The Curse of Masculinity: Disney's Beauty and the Beast?Susan Jeffords Section III: Erasures/Disney Film as Identity Politics "Where Do The Mermaids Stand?"Voice and Body in The Little Mermaid?Laura Sells "Eighty-Six the Mother": Murder, Matricide, and Good Mothers?Lynda Haas Spinsters in Sensible Shoes: Mary Poppins and Bedknobs and Broomsticks?Chris Cuomo Pretty Woman Through the Triple Lens of Black Feminist Spectatorship?D.Soyini Madison Pachuco Mickey?Ramona Fernancez Contributors Index
    Synopsis
    From Mouse to Mermaid, an interdisciplinary collection of original essays, is the first comprehensive, critical treatment of Disney cinema. Addressing children's classics as well as the Disney affiliates' more recent attempts to capture adult audiences, the contributors respond to the Disney film legacy from feminist, marxist, poststructuralist, and cultural studies perspectives. The volume contemplates Disney's duality as an American icon and as an industry of cultural production, created in and through fifty years of filmmaking. The contributors treat a range of topics at issue in contemporary cultural studies: the performance of gender, race, and class; the engendered images of science, nature, technology, family, and business. The compilation of voices in From Mouse to Mermaid creates a persuasive cultural critique of Disney's ideology. The contributors are Bryan Attebery, Elizabeth Bell, Claudia Card, Chris Cuomo, Ramona Fernandez, Henry A. Giroux, Robert Haas, Lynda Haas, Susan Jeffords, N. Soyini Madison, Susan Miller, Patrick Murphy, David Payne, Greg Rode, Laura Sells, and Jack Zipes., From Mouse to Mermaid , an interdisciplinary collection of original essays, is the first comprehensive, critical treatment of Disney cinema. Addressing children's classics as well as the Disney affiliates' more recent attempts to capture adult audiences, the contributors respond to the Disney film legacy from feminist, marxist, poststructuralist, and cultural studies perspectives. The volume contemplates Disney's duality as an American icon and as an industry of cultural production, created in and through fifty years of filmmaking. The contributors treat a range of topics at issue in contemporary cultural studies: the performance of gender, race, and class; the engendered images of science, nature, technology, family, and business. The compilation of voices in From Mouse to Mermaid creates a persuasive cultural critique of Disney's ideology. The contributors are Bryan Attebery, Elizabeth Bell, Claudia Card, Chris Cuomo, Ramona Fernandez, Henry A. Giroux, Robert Haas, Lynda Haas, Susan Jeffords, N. Soyini Madison, Susan Miller, Patrick Murphy, David Payne, Greg Rode, Laura Sells, and Jack Zipes.
    LC Classification Number
    PN1999.W27F76 1995

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