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BBC NATIONAL ORCHESTRA & CHORUS OF WALES / ADRIAN PARTINGTON STANFORD: TE DEUM;

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US $25,14
CircaEUR 21,45
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Goditi i vantaggi. Restituzioni accettate.
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Oggetto che si trova a: North Carolina, Stati Uniti
Consegna:
Consegna prevista tra il mer 3 set e il mar 9 set a 94104
Le date di consegna stimate - viene aperta una nuova finestra o scheda includono tempi di imballaggio, CAP di origine, CAP di destinazione e periodo di accettazione e dipendono dal servizio di spedizione selezionato e dalla ricezione del pagamentoricezione del pagamento - si apre in una nuova finestra o scheda. I tempi di consegna possono variare, specialmente durante le festività.
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Restituzioni entro 30 giorni. Le spese di spedizione del reso sono a carico dell'acquirente..
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Numero oggetto eBay:145874702486
Ultimo aggiornamento: 22 ago 2025 20:48:28 CESTVedi tutte le revisioniVedi tutte le revisioni

Specifiche dell'oggetto

Condizione
Nuovo: Oggetto mai aperto, ancora sigillato (se applicabile). L'oggetto è nella confezione sigillata ...
UPC
5020926043528

Informazioni su questo prodotto

Product Identifiers

Record Label
Lyrita, Lyr
UPC
5020926043528
eBay Product ID (ePID)
13071184267

Product Key Features

Format
CD
Release Year
2024
Genre
Classical Artists
Artist
Stanford / Price / Bbc National Chorus of Wales
Release Title
Stanford: Te Deum & Elegiac Ode

Dimensions

Item Height
0.41 in
Item Weight
0.26 lb
Item Length
5.57 in
Item Width
4.96 in

Additional Product Features

Country/Region of Manufacture
United States
Number of Discs
1
Notes
By the time Stanford had received a commission from the Norfolk and Norwich Festival to write a choral work for them in 1884, he had, at the age of 32, already begun to assert himself as one of Britain's leading composers. The Elegiac Ode was, however, his first mature foray into the world of major British choral festivals. Some of the Elegiac Ode had in fact been sketched three years earlier in 1881, but after the Norwich commission was received, Stanford evidently grasped the opportunity to complete the work in it's entirety in July 1884. The words were taken from the last part of Whitman's elegy, 'When lilacs in the dooryard bloom'd', written in the aftermath of President Lincoln's assassination in 1865 (it was a text which Stanford's pupil, Holst, later used for his Ode to Death, composed in the wake of the war in 1919). Taking the seven verses of the burial hymn, Stanford divided his chosen text into four parts, thereby creating a four-movement musical structure more akin to a choral symphony with it's substantial (and thematically related) choral outer movements flanking two shorter inner essays. By the time Stanford had received a commission from the Norfolk and Norwich Festival to write a choral work for them in 1884, he had, at the age of 32, already begun to assert himself as one of Britain's leading composers. The Elegiac Ode was, however, his first mature foray into the world of major British choral festivals. Some of the Elegiac Ode had in fact been sketched three years earlier in 1881, but after the Norwich commission was received, Stanford evidently grasped the opportunity to complete the work in it's entirety in July 1884. The words were taken from the last part of Whitman's elegy, 'When lilacs in the dooryard bloom'd', written in the aftermath of President Lincoln's assassination in 1865 (it was a text which Stanford's pupil, Holst, later used for his Ode to Death, composed in the wake of the war in 1919). Taking the seven verses of the burial hymn, Stanford divided his chosen text into four parts, thereby creating a four-movement musical structure more akin to a choral symphony with it's substantial (and thematically related) choral outer movements flanking two shorter inner essays. Stanford's large-scale setting of the Te Deum Op. 66 was first sung at the Leeds Festival on 6 October 1898 and it's ambitious, opulent dimensions were clearly intended to be a fitting commemoration of the accession to the throne of Queen Victoria (it's dedicatee) sixty years earlier as well as a tribute to the full-bodied, well-trained Leeds chorus of 350 singers. A particular feature of the Te Deum is the grandeur of much of it's choral writing. Though also dramatic in it's impact, a dominating feature of the Te Deum is it's prominent use of the chorus, and the many fulsome sonorities Stanford was able to draw from the magnificent 'instrument' of the Leeds voices. © Jeremy Dibble

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