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Painted Men in Britain, 1868–1918: Royal Academicians and Masculinities
US $81,75
CircaEUR 69,81
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- Compralo SubitoPainted Men in Britain, 1868–1918: Royal Academicians and Masculinities
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Spedizione:
US $5,97 (circa EUR 5,10) USPS Media MailTM.
Oggetto che si trova a: Prospect, Kentucky, Stati Uniti
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Consegna prevista tra il ven 5 set e il gio 11 set a 94104
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Numero oggetto eBay:145856452564
Specifiche dell'oggetto
- Condizione
- Book Title
- Painted Men in Britain, 18681918: Royal Academicians and
- ISBN-10
- 1409400085
- Educational Level
- Adult & Further Education
- Level
- Intermediate
- Features
- Illustrated, Ex-Library
- Genre
- ART
- ISBN
- 9781409400080
Informazioni su questo prodotto
Product Identifiers
Publisher
Routledge
ISBN-10
1409400085
ISBN-13
9781409400080
eBay Product ID (ePID)
128785563
Product Key Features
Number of Pages
196 Pages
Language
English
Publication Name
Painted Men in Britain, 1868-1918 : Royal Academicians and Masculinities
Subject
History / Romanticism, European
Publication Year
2012
Type
Textbook
Subject Area
Art
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
22.4 Oz
Item Length
9.8 in
Item Width
7 in
Additional Product Features
Intended Audience
College Audience
LCCN
2011-043648
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
757.3094109034
Table Of Content
Contents: Introduction; Picturing masculinities in the Orient: Frederic Leighton; The gentleman's body and class anxiety: Fildes, Holl and Herkomer; The utopia of inverts: Henry Scott Tuke; Masculine death: John Singer Sargent; Conclusion: man's body; Bibliography; Index.
Synopsis
An original and overdue exploration of the representation of masculinity in British academic art in the late nineteenth and early twentieth centuries, Painted Men in Britain, 18681918 analyzes transgressions of gender and sexuality as represented in paintings by Leighton, Sargent, Tuke, and their contemporaries in the Royal Academy. This volume treats paintings as eloquent objects, no narratives of which are too elusive to be traced, and challenges conventional binaries of masculine versus feminine or heterosexual versus homosexual. Consulting not only the paintings themselves but also newspapers, journals, criticism, novels, and poetry of the day, Painted Men argues against the misconception of British academic art as merely reactionary and even blind to the dynamism of its own time. Instead, this art is shown to engage with broader social attitudes and contemporary sexual debates. As the book reveals the complexities of specific paintings, it illuminates different and competing attitudes toward masculinity and modernity in British art of the period., Painted Men in Britain, 18681918 analyses transgressions of gender and sexuality as represented in paintings by Leighton, Sargent, Tuke and their contemporaries in the Royal Academy. The book argues against the misconception of British academic art as merely reactionary and even blind to the dynamism of its own time; instead, this art is shown to engage with broader social attitudes and contemporary sexual debates., An original and overdue exploration of the representation of masculinity in British academic art in the late nineteenth and early twentieth centuries, Painted Men in Britain, 1868-1918 analyzes transgressions of gender and sexuality as represented in paintings by Leighton, Sargent, Tuke, and their contemporaries in the Royal Academy. This volume treats paintings as eloquent objects, no narratives of which are too elusive to be traced, and challenges conventional binaries of masculine versus feminine or heterosexual versus homosexual. Consulting not only the paintings themselves but also newspapers, journals, criticism, novels, and poetry of the day, Painted Men argues against the misconception of British academic art as merely reactionary and even blind to the dynamism of its own time. Instead, this art is shown to engage with broader social attitudes and contemporary sexual debates. As the book reveals the complexities of specific paintings, it illuminates different and competing attitudes toward masculinity and modernity in British art of the period.
LC Classification Number
ND467.5
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- r***m (124)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoAmazing seller, fast shipping , received item as described, Book was packaged well and protected. Thank you for allowing me to get an amazing book at a great price.
- 8***r (179)- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoExcellent seller. Affordable shipping. Well packaged. Item as described. Great value.
Kentucky Original
99,7% di Feedback positivi•4,6 mila oggetti venduti
Registrato come venditore professionale
Feedback sul venditore (1.302)
- i***p (1051)- Feedback lasciato dall'acquirente.Ultimo annoAcquisto verificatoAwesome condition game module! Fast shipping too. Seller communication was great. Seller was able to securely package the game module for shipping to my needs in a low profile cardboard box and with good bubble wrapping within. The item was accurately pictured and described which helped greatly in the purchasing decision. The game module was of great quality at a great price. I highly recommend this seller and would gladly do business again. Thanks. A++++*1st Print* Tomb of the Lizard King(Advanced Dungeons & Dragons/AD&D Module I2) (N° 144505825897)
- r***m (124)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoAmazing seller, fast shipping , received item as described, Book was packaged well and protected. Thank you for allowing me to get an amazing book at a great price.
- 8***r (179)- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoExcellent seller. Affordable shipping. Well packaged. Item as described. Great value.