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Rachel Harrison Life Hack by David Joselit and Elisabeth Sussman (2019,...
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US $8,22 (circa EUR 7,03) USPS Media MailTM.
Oggetto che si trova a: Bellmawr, New Jersey, Stati Uniti
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Numero oggetto eBay:145502413175
Specifiche dell'oggetto
- Condizione
- ISBN
- 9780300246858
Informazioni su questo prodotto
Product Identifiers
Publisher
Yale University Press
ISBN-10
0300246854
ISBN-13
9780300246858
eBay Product ID (ePID)
18038292060
Product Key Features
Book Title
Rachel Harrison Life Hack
Number of Pages
282 Pages
Language
English
Publication Year
2019
Topic
Sculpture & Installation, History / Contemporary (1945-), Individual Artists / Monographs, Collections, Catalogs, Exhibitions / General, American / General
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
0.1 in
Item Weight
70.3 Oz
Item Length
1.2 in
Item Width
0.9 in
Additional Product Features
Intended Audience
Trade
LCCN
2019-016531
Dewey Edition
23
Dewey Decimal
700.92
Synopsis
"The work of the sculptor Rachel Harrison is both the zeitgeist and the least digestible in contemporary art. It may also be the most important, owing to an originality that breaks a prevalent spell in an art world of recycled genres, styles, and ideas."--Peter Schjeldahl, The New Yorker In her sculptures, room-sized installations, drawings, photographs, and artist's books, Rachel Harrison (b. 1966) delves into themes of celebrity culture, pop psychology, history, and politics. This publication, created in close collaboration with the artist, explores twenty-five years of her practice and is the first comprehensive monograph on Harrison in nearly a decade. Its centerpiece is an in-depth plate section, which doubles as a chronology of Harrison's major works, series, and exhibitions. Objects are illustrated with multiple views and details, and accompanied by short texts. This thorough approach elucidates Harrison's complicated, eclectic oeuvre--in which she integrates found materials with handmade sculptural elements, upends traditions of museum display, and injects quotidian objects with a sense of strangeness. Six accompanying essays cover Harrison's earliest works to her most recent output. The book also includes a handful of photo-collages that the artist created specifically for this project. Published here for the first time, these pieces superimpose found images with reproductions of Harrison's own past work., "The work of the sculptor Rachel Harrison is both the zeitgeist and the least digestible in contemporary art. It may also be the most important, owing to an originality that breaks a prevalent spell in an art world of recycled genres, styles, and ideas."--Peter Schjeldahl, The New Yorker In her sculptures, room-sized installations, drawings, photographs, and artist's books, Rachel Harrison (b. 1966) delves into themes of celebrity culture, pop psychology, history, and politics. This publication, created in close collaboration with the artist, explores twenty-five years of her practice and is the first comprehensive monograph on Harrison in nearly a decade. Its centerpiece is an in-depth plate section, which doubles as a chronology of Harrison's major works, series, and exhibitions. Objects are illustrated with multiple views and details, and accompanied by short texts. This thorough approach elucidates Harrison's complicated, eclectic oeuvre--in which she integrates found materials with handmade sculptural elements, upends traditions of museum display, and injects quotidian objects with a sense of strangeness. Six accompanying essays cover Harrison's earliest works to her most recent output. The book also includes a handful of photo-collages that the artist created specifically for this project. Published here for the first time, these pieces superimpose found images with reproductions of Harrison's own past work. Distributed for the Whitney Museum of American Art Exhibition Schedule: Whitney Museum of American Art, New York (October 25, 2019-January 12, 2020), "The work of the sculptor Rachel Harrison is both the zeitgeist and the least digestible in contemporary art. It may also be the most important, owing to an originality that breaks a prevalent spell in an art world of recycled genres, styles, and ideas."--Peter Schjeldahl, The New Yorker
LC Classification Number
N6537.H3625A4 2019
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