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Brian May - The Brian May Collection [New CD]
US $20,55
CircaEUR 17,66
Condizione:
Nuovo
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Spedizione:
Gratis Economy Shipping.
Oggetto che si trova a: Shepherdsville, Kentucky, United States, Stati Uniti
Consegna:
Consegna prevista tra il mar 2 set e il lun 8 set a 94104
Restituzioni:
Restituzioni entro 60 giorni. Le spese di spedizione del reso sono a carico del venditore.
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Numero oggetto eBay:143344353411
Specifiche dell'oggetto
- Condizione
- Custom Bundle
- No
- Duration
- Album
- Modified Item
- No
- Title
- The Brian May Collection
- Album Name
- The Brian May Collection
- Type
- Album
- Brand
- Dragon's Domain
- UPC
- 0712187486101
Informazioni su questo prodotto
Product Identifiers
Record Label
Dgdo, Dragon's Domain
UPC
0712187486101
eBay Product ID (ePID)
22046040420
Product Key Features
Release Year
2019
Format
CD
Genre
Soundtrack
Artist
May, Brian
Release Title
The Brian May Collection
Dimensions
Item Height
0.40 in
Item Weight
0.21 lb
Item Length
5.63 in
Item Width
5.01 in
Additional Product Features
Number of Discs
2
Number of Tracks
54
Country/Region of Manufacture
United States
Tracks
1.1 Opening Title Music 1.2 Madeline's Theme / Pursued 1.3 Angela's Decision 1.4 Locked Out 1.5 Darryl's Dilemma 1.6 The Gay Disco 1.7 Angela's Transformation 1.8 Sans Chemisette 1.9 Who's Sleeping in My Bed' 1.10 Bermuda Cool (Madeline Makes Her Move) 1.11 Goodbye to Madeline 1.12 Fright and Flight 1.13 Danger! the Whippy Van 1.14 Elmer's Place 1.15 Studio Fire 1.16 Exit Darryl 1.17 Closing Title Music 1.18 The Survivor - Main Title 1.19 Take Off and Crash 1.20 Romantic Mood / Ghost Girl 1.21 Scary Bit in the House 1.22 Scared 1.23 Back at Wreck 1.24 Memories 1.25 Frantic Drive to Hangar / Gruesome Discovery 1.26 Final Confrontation and Burning 1.27 Revelation and Finale 2.1 Harlequin - Main Title 2.2 Political Theme 2.3 Thunderclap / Alex Spits Blood 2.4 Sandra and Alex 2.5 The Cure 2.6 The Aerial / Did You Cure My Son' 2.7 Was It Assassination' / Alex Plays Dead 2.8 The Cliff 2.9 Wolfe and Sandra 2.10 Alice Disrobes / Shattering Windscreens 2.11 Wolfe Leaves Alex 2.12 Wolfe's Show of Magic 2.13 Wolfe's Face on the Tiles 2.14 Sandra and Alex Leave 2.15 Wolfe Escapes from Jail 2.16 Letting Out the Dogs 2.17 Wolfe on the Estate 2.18 March of the Marbles 2.19 The Set-Up 2.20 Wolfe's Death 2.21 Wolfe's Resurrection 2.22 Wolfe Killed Again 2.23 Wolfe Dumped 2.24 Wolfe Surfaces / End Titles 2.25 Patrick Suite 2.26 Snapshot Suite - Part One 2.27 Snapshot Suite - Part Two
Notes
One thing these films have in common is the music of Brian May. All of Antony I. Ginnane's horror/supernatural thrillers from this time period were scored by Brian May. For PATRICK, May composed a lush-sounding symphonic score supported by ARP synthesizer. His score for SNAPSHOT mixes dramatic orchestral music, with sublime romantic music and a fair amount of contemporary modern jazz. HARLEQUIN was scored for a variety of atonal motifs for strings, piano, and percussion, giving thematic unity through a lush, string-based love theme. THE SURVIVOR is arguably May's most Herrmannesque score, opening with a main theme that recalls Herrmann's Hitchcock collaborations. Born in Adelaide in 1934, Brian May (no relation to Brian Harold May of Queen) was one of the first composers to achieve international acclaim as an Australian composer and was best known as the composer of MAD MAX and THE ROAD WARRIOR (MAD MAX II). Moving into film music in a period of time when Australia's film industry was just beginning to take it's place among international film circles, May composed such notable film scores as RACE FOR THE YANKEE ZEPHYR, ROAD GAMES, CLOAK AND DAGGER, DEATH BEFORE DISHONOR, MISSING IN ACTION 2, SKY PIRATES, STEEL DAWN, DR. GIGGLES, FREDDY'S DEAD: THE FINAL NIGHT MARE and BLINDSIDE. He won the Australian Film Institute Award for best original score with MAD MAX; many other awards followed, including the Golden Award from the Australian Performing Rights Association. He continued to score films until 1993, composing music for more than 30 films and many hours of television, most of which he orchestrated himself. Sadly, the composer passed away in 1997 at the age of 63.
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