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Glitter and Doom German Portraits from the 1920s Metropolitan Museum of Art 2006
dantesbooks
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US $5,22 (circa EUR 4,49) spedizione in 2-4 giorni
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Oggetto che si trova a: Portland, Oregon, Stati Uniti
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Informazioni sull'oggetto
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Numero oggetto eBay:136778283701
Specifiche dell'oggetto
- Condizione
- Era
- 1920s
- ISBN
- 9780300117882
Informazioni su questo prodotto
Product Identifiers
Publisher
Yale University Press
ISBN-10
0300117884
ISBN-13
9780300117882
eBay Product ID (ePID)
53742183
Product Key Features
Book Title
Glitter and Doom : German Portraits from the 1920s
Number of Pages
304 Pages
Language
English
Publication Year
2006
Topic
Subjects & Themes / Portraits, Techniques / Drawing, General, European
Illustrator
Yes
Genre
Art
Book Series
Metropolitan Museum of Art Publications
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
55.3 Oz
Item Length
11.2 in
Item Width
9 in
Additional Product Features
Intended Audience
Trade
LCCN
2006-026372
Dewey Edition
22
Dewey Decimal
757.09430747471
Synopsis
In the 1920s Germany was in the grip of social and political turmoil: its citizens were disillusioned by defeat in World War I, the failure of revolution, the disintegration of their social system, and inflation of rampant proportions. Curiously, as this important book shows, these years of upheaval were also a time of creative ferment and innovative accomplishment in literature, theater, film, and art."Glitter and Doom "is the first publication to focus exclusively on portraits dating from the short-lived Weimar Republic. It features forty paintings and sixty drawings by key artists, including Otto Dix, Max Beckmann, and George Grosz. Their works epitomize Neue Sachlichkeit (New Objectivity), in particular the branch of that new form of realism called Verism, which took as its subject contemporary phenomena such as war, social problems, and moral decay. Subjects of their incisive portraits are the artists own contemporaries: actors, poets, prostitutes, and profiteers, as well as doctors, lawyers, businessmen, and other respectable citizens. The accompanying texts reveal how these portraits hold up a mirror to the glittering, vital, doomed society that was obliterated when Hitler came to power.", In the 1920s Germany was in the grip of social and political turmoil: its citizens were disillusioned by defeat in World War I, the failure of revolution, the disintegration of their social system, and inflation of rampant proportions. Curiously, as this important book shows, these years of upheaval were also a time of creative ferment and innovative accomplishment in literature, theater, film, and art. Glitter and Doom is the first publication to focus exclusively on portraits dating from the short-lived Weimar Republic. It features forty paintings and sixty drawings by key artists, including Otto Dix, Max Beckmann, and George Grosz. Their works epitomize Neue Sachlichkeit (New Objectivity), in particular the branch of that new form of realism called Verism, which took as its subject contemporary phenomena such as war, social problems, and moral decay. Subjects of their incisive portraits are the artists' own contemporaries: actors, poets, prostitutes, and profiteers, as well as doctors, lawyers, businessmen, and other respectable citizens. The accompanying texts reveal how these portraits hold up a mirror to the glittering, vital, doomed society that was obliterated when Hitler came to power., In the 1920s Germany was in the grip of social and political turmoil: its citizens were disillusioned by defeat in World War I, the failure of revolution, the disintegration of their social system, and inflation of rampant proportions. Curiously, as this important book shows, these years of upheaval were also a time of creative ferment and innovative accomplishment in literature, theater, film, and art. "Glitter and Doom "is the first publication to focus exclusively on portraits dating from the short-lived Weimar Republic. It features forty paintings and sixty drawings by key artists, including Otto Dix, Max Beckmann, and George Grosz. Their works epitomize Neue Sachlichkeit (New Objectivity), in particular the branch of that new form of realism called Verism, which took as its subject contemporary phenomena such as war, social problems, and moral decay. Subjects of their incisive portraits are the artists' own contemporaries: actors, poets, prostitutes, and profiteers, as well as doctors, lawyers, businessmen, and other respectable citizens. The accompanying texts reveal how these portraits hold up a mirror to the glittering, vital, doomed society that was obliterated when Hitler came to power.
LC Classification Number
ND1316.6.R49 2006
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