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Romberg: Flute Quintets / Brunner, Simcisko, Telecky, et al by A. Romberg - 1992
US $11,79
CircaEUR 10,41
Condizione:
“Pre-owned, in good condition, as shown in photos. Case and disc have some wear consistent with age ”... Maggiori informazioniinformazioni sulla condizione
Buone condizioni
Oggetto usato ma in buone condizioni. La custodia può essere lievemente danneggiata con rigature o incrinature oppure la copertina può presentare rigature, graffi o incrinature. Nel caso di un CD, le illustrazioni e le note di copertina sono incluse. La custodia per DVD o VHS è inclusa. Le istruzioni del videogame sono incluse. Il CD/DVD non salta. La videocassetta non contiene fotogrammi sfocati o con effetto 'neve'. Per maggiori dettagli e la descrizione di eventuali imperfezioni, consulta l'inserzione del venditore.
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Spedizione:
US $4,79 (circa EUR 4,23) USPS Media MailTM.
Oggetto che si trova a: Shelton, Washington, Stati Uniti
Consegna:
Consegna prevista tra il mar 27 mag e il ven 30 mag a 94104
Restituzioni:
Restituzioni non accettate.
Pagamenti:
Fai shopping in tutta sicurezza
Il venditore si assume la piena responsabilità della messa in vendita dell'oggetto.
Numero oggetto eBay:133018657103
Specifiche dell'oggetto
- Condizione
- Buone condizioni
- Note del venditore
- ISBN
- 636943476529
- Brand
- Naxos
- MPN
- N/A
- UPC
- 0636943476529
Informazioni su questo prodotto
Product Identifiers
Record Label
Naxos, NXS
UPC
0636943476529
eBay Product ID (ePID)
5046062569
Product Key Features
Release Year
2001
Format
CD
Genre
Classical
Artist
Romberg / Brunner / Smcisko / Telecky / Cut
Release Title
Flute Quintets
Dimensions
Item Height
0.40 in
Item Weight
0.21 lb
Item Length
5.60 in
Item Width
4.90 in
Additional Product Features
Number of Discs
1
Number of Tracks
12
Country/Region of Manufacture
United States
Tracks
1.1 QNT in E, Op.41, No.1: Allegro 1.2 QNT in E, Op.41, No.1: Minuetto: Allegretto Moderato 1.3 QNT in E, Op.41, No.1: Larghetto 1.4 QNT in E, Op.41, No.1: Finale: Allegretto Vivace 1.5 QNT in D, Op.41, No.2: Allegro Con Spirito 1.6 QNT in D, Op.41, No.2: Minuetto: Allegretto 1.7 QNT in D, Op.41, No.2: Romanza 1.8 QNT in D, Op.41, No.2: Rondo: Vivace 1.9 QNT in F, Op.41, No.3: Allegro 1.10 QNT in F, Op.41, No.3: Adagio: Andante Grazioso 1.11 QNT in F, Op.41, No.3: Minuetto: Allegretto 1.12 QNT in F, Op.41, No.3: Vivace
Notes
Outstanding among Romberg's eight quintets is Opus 41, a set of three brilliantly elaborated and expressively condensed four-movement compositions, a reminder of Romberg's contemporary reputation as a remarkable violinist, although his friend Spohr, who referred to him as a cultivated and subtle artist, also found his actual playing cold and dry. Romberg's flute quintets, scored for flute, violin, two violas and cello, illustrate the freshness of his musical language, with it's use of dance movements and variations on well-known melodies. The Flute Quintets, Opus 41, are superb music, created as the classical style began to turn towards the romantic. The Quintet in E minor starts with a movement in tripartite classical form, in which the first subject assumes considerable importance. A stately Minuet follows, with the flute offering a sinuous melody in the first of the two contrasting Trios. The strings open the slow movement, before the flute joins in the principal theme, leading to the well-known strains of the English national anthem, a melody that enjoyed similar use in a number of German states. The last movement finds room for a traditional display of counterpoint. The second work here included, the Quintet in D major follows a similar pattern, a repeated exposition in the first movement leading to a central development, before the expected recapitulation. The second movement Minuet has corresponding Trios in contrast, and the slow movement Romanza is again introduced by the strings, the theme varied on the entry of the flute with the melody, against a running accompaniment. The quintet ends with a lively Rondo. In the Quintet in F major the flute introduces an operatic melody in the style of the period, admitting, as it is developed, a measure of counterpoint and passage-work for the flute. The slow movement, placed second, offers a singing melody in a finely crafted texture, to be followed by a third movement Minuet with something of Haydn about it. This is capped by a short Vivace in conclusion.
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