SIGMUND ROMBERG (Yale Broadway Masters Series) Hardcover Book by William A. Ever

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Book is in MINT Condition, the jacket has some light scratches, but is in Great Condition. See ... Maggiori informazioniinformazioni sulla condizione
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Note del venditore
“Book is in MINT Condition, the jacket has some light scratches, but is in Great Condition. See ...
Type
Novel
Signed
No
Narrative Type
Nonfiction
Original Language
English
Country/Region of Manufacture
United States
ISBN
9780300111835

Informazioni su questo prodotto

Product Identifiers

Publisher
Yale University Press
ISBN-10
0300111835
ISBN-13
9780300111835
eBay Product ID (ePID)
63724682

Product Key Features

Book Title
Sigmund Romberg
Number of Pages
320 Pages
Language
English
Topic
Composers & Musicians, General
Publication Year
2007
Illustrator
Yes
Genre
Music, Biography & Autobiography
Author
William A. Everett
Book Series
Yale Broadway Masters Ser.
Format
Hardcover

Dimensions

Item Height
0.1 in
Item Weight
25.6 Oz
Item Length
0.9 in
Item Width
0.6 in

Additional Product Features

Intended Audience
Trade
LCCN
2006-102531
Dewey Edition
22
Dewey Decimal
782.1/2092 B
Synopsis
Hungarian-born composer Sigmund Romberg (1887--1951) arrived in America in 1909 and within eight years had achieved his first hit musical on Broadway. This early success was soon followed by others, and in the 1920s his popularity in musical theater was unsurpassed. In this book, William Everett offers the first detailed study of the gifted operetta composer, examining Romberg's key works and musical accomplishments and demonstrating his lasting importance in the history of American musicals. Romberg composed nearly sixty works for musical theater as well as music for revues, for musical comedies, and, later in life, for Hollywood films. Everett shows how Romberg was a defining figure of American operetta in the 1910s and 1920s ( Maytime, Blossom Time , The Student Prince ), traces the new model for operetta that he developed with Oscar Hammerstein II in the late 1920s ( The Desert Song, The New Moon ), and looks at his reworked style of the 1940s ( Up in Central Park ). This book offers an illuminating look at Romberg's Broadway career and legacy., Hungarian-born composer Sigmund Romberg (1887-1951) arrived in America in 1909 and within eight years had achieved his first hit musical on Broadway. This early success was soon followed by others, and in the 1920s his popularity in musical theater was unsurpassed. In this book, William Everett offers the first detailed study of the gifted operetta composer, examining Romberg's key works and musical accomplishments and demonstrating his lasting importance in the history of American musicals. Romberg composed nearly sixty works for musical theater as well as music for revues, for musical comedies, and, later in life, for Hollywood films. Everett shows how Romberg was a defining figure of American operetta in the 1910s and 1920s ( Maytime, Blossom Time , The Student Prince ), traces the new model for operetta that he developed with Oscar Hammerstein II in the late 1920s ( The Desert Song, The New Moon ), and looks at his reworked style of the 1940s ( Up in Central Park ). This book offers an illuminating look at Romberg's Broadway career and legacy., Hungarian-born composer Sigmund Romberg (1887-1951) arrived in America in 1909 and within eight years had achieved his first hit musical on Broadway. This early success was soon followed by others, and in the 1920s his popularity in musical theater was unsurpassed. In this book, William Everett offers the first detailed study of the gifted operetta composer, examining Romberg's key works and musical accomplishments and demonstrating his lasting importance in the history of American musicals. Romberg composed nearly sixty works for musical theater as well as music for revues, for musical comedies, and, later in life, for Hollywood films. Everett shows how Romberg was a defining figure of American operetta in the 1910s and 1920s ("Maytime, Blossom Time," "The Student Prince"), traces the new model for operetta that he developed with Oscar Hammerstein II in the late 1920s ("The Desert Song, The New Moon"), and looks at his reworked style of the 1940s ("Up in Central Park"). This book offers an illuminating look at Romberg's Broadway career and legacy.
LC Classification Number
ML410.R66E94 2007

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