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Numero oggetto eBay:126747172368
Specifiche dell'oggetto
- Condizione
- Brand
- Redken
- Type
- HAIR CARE
- Product Line
- Redken
- California Prop 65 Warning
- 209484512
- Country/Region of Manufacture
- 209484512
- Hold Strength
- 209484512
- MPN
- Redken
- ISBN
- 9780823250974
Informazioni su questo prodotto
Product Identifiers
Publisher
Fordham University Press
ISBN-10
0823250970
ISBN-13
9780823250974
eBay Product ID (ePID)
143569769
Product Key Features
Book Title
Into Disaster : Chronicles of Intellectual Life, 19416x9
Number of Pages
160 Pages
Language
English
Publication Year
2013
Topic
European / French, General, Anthropology / General, Europe / General
Genre
Literary Criticism, Philosophy, Social Science, History
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
9.4 Oz
Item Length
8.9 in
Item Width
6 in
Additional Product Features
LCCN
2013-025621
Dewey Edition
23
Reviews
". . .an extraordinarily diverse and colourful series of critical essays, in which works of lasting quality and significance sit alongside others which have been justifiably forgotten, and where friendship and loyalty toward those who share Blanchot's ideals play a decisive role in shaping his attention and his choices. Though given piquancy by the sometimes haughty verve always present in them to some degree, the articles also celebrate in sometimes ecstatic tones the pure joy and consolation that literature can bring." Michael Holland, from the Introduction, Maurice Blanchot has remained our essential contemporary, and the best literary educator ever, because he is always thinking 'absolutely' while addressing the most burning issues of war-time France like terror, fascism and the degradation of humanity. -----Jean-Michel Rabaté, University of Pennsylvania, Michael Holland has brought a most valuable set of essays into English, masterfully providing new resources for approaching the emergence of what will become one of the most important literary voices of the post-war period. Into Disaster presents a thought obscurely defined by circumstances and separating from them in ways that are, in varying measure, problematic, enigmatic, and decisive. These efforts to uphold the exigencies of literature in uncertain hours provide a gripping reading experience., Maurice Blanchot has remained our essential contemporary, and the best literary educator ever, because he is always thinking 'absolutely' while addressing the most burning issues of war-time France like terror, fascism and the degradation of humanity., ". . .an extraordinarily diverse and colourful series of critical essays, in which works of lasting quality and significance sit alongside others which have been justifiably forgotten, and where friendship and loyalty toward those who share Blanchot's ideals play a decisive role in shaping his attention and his choices. Though given piquancy by the sometimes haughty verve always present in them to some degree, the articles also celebrate in sometimes ecstatic tones the pure joy and consolation that literature can bring."-Michael Holland, from the Introduction, What did Blanchot do, as a writer, during World War II? If this was a time of 'withdrawal,' as is often said, it was not a time of silence. The critical reflections and book reviews collected here reveal a writer in crisis who found it imperative to call on the public to read, and to think. In doing so, he continued to write in one of the only ways he knew how: by traversing a contemporary literary landscape shaped by war, conflict and defeat. This position is marked by compromise, to be sure. At the same time, Into Disaster resounds with a critical voice caught up in the urgency of literature experienced as the urgency of an unfolding history, and as one response to a moment in which no easy or adequate response was possible. These brief essays are tensed by the forces that wrought them., "Everyone seriously interested in the history of French literature and of French intellectual life in general during the 20th century will find a great deal to think about in these book reviews, regularly composed by Maurice Blanchot at the major turning point in his own life, when his defeated country lost its bearings altogether and no one could feel confident about the value of cultural traditions or the purpose of thinking and writing. How to survive this disaster, interpret it, use it? Michael Holland's instructive introduction to this collection, and his excellent translations provide not only additional material on which to base an appraisal of Blanchot's political and literary itinerary, but also a remarkable contribution to the picture still coming into focus of the French disaster in the 1940s --of the various reconnoiterings, compromises, conversions, commitments that would color French letters well into the second half of the twentieth century." -----Ann Smock, University of California, Berkeley, What did Blanchot do, as a writer, during World War II? If this was a time of 'withdrawal,' as is often said, it was not a time of silence. The critical reflections and book reviews collected here reveal a writer in crisis who found it imperative to call on the public to read, and to think. In doing so, he continued to write in one of the only ways he knew how: by traversing a contemporary literary landscape shaped by war, conflict and defeat. This position is marked by compromise, to be sure. At the same time, Into Disaster resounds with a critical voice caught up in the urgency of literature experienced as the urgency of an unfolding history, and as one response to a moment in which no easy or adequate response was possible. These brief essays are tensed by the forces that wrought them. -----Jeff Fort, University of California, Davis, ". . .an extraordinarily diverse and colourful series of critical essays, in which works of lasting quality and significance sit alongside others which have been justifiably forgotten, and where friendship and loyalty toward those who share Blanchot's ideals play a decisive role in shaping his attention and his choices. Though given piquancy by the sometimes haughty verve always present in them to some degree, the articles also celebrate in sometimes ecstatic tones the pure joy and consolation that literature can bring." --Michael Holland, from the Introduction, ". . .an extraordinarily diverse and colourful series of critical essays, in which works of lasting quality and significance sit alongside others which have been justifiably forgotten, and where friendship and loyalty toward those who share Blanchot's ideals play a decisive role in shaping his attention and his choices. Though given piquancy by the sometimes haughty verve always present in them to some degree, the articles also celebrate in sometimes ecstatic tones the pure joy and consolation that literature can bring." -----Michael Holland, from the Introduction, Michael Holland has brought a most valuable set of essays into English, masterfully providing new resources for approaching the emergence of what will become one of the most important literary voices of the post-war period. Into Disaster presents a thought obscurely defined by circumstances and separating from them in ways that are, in varying measure, problematic, enigmatic, and decisive. These efforts to uphold the exigencies of literature in uncertain hours provide a gripping reading experience. -----Christopher Fynsk, University of Aberdeen
Dewey Decimal
801.95
Synopsis
In 1941 Maurice Blanchot began to publish a weekly column of literary criticism which became the source for his first critical work, Faux pas (1943). The majority of these pieces remained uncollected until 2007. As well as providing a unique perspective on cultural life during the Occupation, they offer crucial insights into the mind and art of one of the most original writers in the second half of the twentieth century., The German Occupation of France put an end to Maurice Blanchot's career as a political journalist. In April 1941 he began to publish a weekly column of literary criticism in the Journal des D颡ts, which became the source for his first critical work, Faux pas (1943). As well as providing a unique perspective on cultural life during the Occupation, these pieces offer crucial insights into the mind and art of a writer who was to become one of the most influential figures on the French literary scene in the second half of the twentieth century. As well as laying the basis for the career of one France's most original writers and thinkers, these articles also offer a reminder that Blanchot's political awareness remains undimmed, through clear if sometimes coded acts of criticism or defiance of the prevailing order., The German occupation of France put an end to Maurice Blanchot's career as a political journalist. In April 1941, he began to publish a weekly column of literary criticism in the Journal des D bats, which became the source for his first critical work, Faux pas (1943). As well as providing a unique perspective on cultural life during the occupation, these pieces offer crucial insights into the mind and art of a writer who was to become one of the most influential figures on the French literary scene in the second half of the twentieth century. In addition to laying the basis for the career of one France's most original writers and thinkers, these articles offer a reminder that Blanchot's political awareness remains undimmed, through clear if sometimes coded acts of criticism or defiance of the prevailing order., The German occupation of France put an end to Maurice Blanchot's career as a political journalist. In April 1941, he began to publish a weekly column of literary criticism in the Journal des Débats, which became the source for his first critical work, Faux pas (1943). As well as providing a unique perspective on cultural life during the occupation, these pieces offer crucial insights into the mind and art of a writer who was to become one of the most influential figures on the French literary scene in the second half of the twentieth century. In addition to laying the basis for the career of one France's most original writers and thinkers, these articles offer a reminder that Blanchot's political awareness remains undimmed, through clear if sometimes coded acts of criticism or defiance of the prevailing order.
LC Classification Number
PN75.B5
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