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Duke Ellington; Collier, James Lincoln; First Edition; Music
US $14,56
CircaEUR 12,43
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“Very good first edition in very good price unclipped dust jacket ($19.95). Binding is tight. Jacket ”... Maggiori informazioniinformazioni sulla condizione
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Oggetto che si trova a: Elk Grove Village, Illinois, Stati Uniti
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Numero oggetto eBay:115775790894
Specifiche dell'oggetto
- Condizione
- Ottime condizioni
- Note del venditore
- Special Attributes
- 1st Edition
- ISBN
- 9780195037708
Informazioni su questo prodotto
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0195037707
ISBN-13
9780195037708
eBay Product ID (ePID)
1271709
Product Key Features
Book Title
Duke Ellington
Number of Pages
352 Pages
Language
English
Publication Year
1987
Topic
Cultural Heritage, Composers & Musicians, Genres & Styles / Jazz
Illustrator
Yes
Genre
Music, Biography & Autobiography
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
24.5 Oz
Item Length
9.4 in
Item Width
6.4 in
Additional Product Features
Intended Audience
Trade
LCCN
86-033309
Dewey Edition
19
Dewey Decimal
785.42/092/4 B
Synopsis
Here at last is the definitive critical biography of one of the great geniuses of jazz--its major composer and leader of probably the most significant of all jazz bands. James Lincoln Collier, author of the highly acclaimed Louis Armstrong: An American Genius, has produced a fascinating narrative which tells the full story of Edward Kennedy Ellington, from his childhood as the pampered and adored only son of a middle-class Washington black family, to his death in 1974 when he was hailed by The New York Times as "America's greatest composer." But most of all, the book is about the creation of the music, from classic songs like "Sophisticated Lady" to the "sacred concerts" of Ellington's last years. Collier maintains that it is not necessary to see Ellington as a "composer" in the narrow sense of the word but as something just as important: an improvising jazz musician. His instrument was a whole band., Duke Ellington is considered to be one of the great genius' of jazz--its major composer and leader of probably the most significant of all jazz bands. Yet, other than his own not-very-revealing autobiography and a collection of reminiscences of his band members, there has never been an indepth biography of this preeminent figure in twentieth century music and entertainment. Here at last is the definitive critical biography of both the man and his music. James Lincoln Collier, author of the highly acclaimed Louis Armstrong: An American Genius , has produced a fascinating work which tells the full story of Edward Kennedy Ellington, from his childhood as the pampered and adored only son of a middle-class Washington black family to his death in 1974, hailed as "America's greatest composer" (according to the New York Times obituary) and mourned at his funeral by more than 10,000 people. Collier describes Ellington's charisma--his sense of being special even from childhood, when he would announce to his cousins "I am the grand, noble, Duke; crowds will be running to me,"...the formation of his band, including some of the greatest names in jazz history, among them, Barney Bigard, Johnny Hodges, Cootie Williams, Lawrence Brown, and Paul Gonzavles...his arrival at the legendary Cotton Club in Harlem in the 1920s...his involvement with his manager Irving Mills, who manipulated and cheated him and even put his name on some of Ellington's songs, but who made him famous...his relationship with his family, including his troubled relationship with his son, his marriage and many affairs (including involvements with some of his own musician's women). But most of all, the book is about the creation of the music, from classic songs like "Sophisticated Lady" to the "sacred concerts" of Ellington's last years. Collier maintains that it is not necessary to see Ellington as a "composer" in the narrow sense of the word but as something just as important: an improvising jazz musician. His instrument was a whole band.This is a controversial book--not all will agree with Collier's assessments--but it will enthrall jazz buffs as well as anyone interested in a fascinating life and times., Duke Ellington is considered to be one of the great genius' of jazz--its major composer and leader of probably the most significant of all jazz bands. Yet, other than his own not-very-revealing autobiography and a collection of reminiscences of his band members, there has never been an indepth biography of this preeminent figure in twentieth century music and entertainment. Here at last is the definitive critical biography of both the man and his music. James Lincoln Collier, author of the highly acclaimed Louis Armstrong: An American Genius, has produced a fascinating work which tells the full story of Edward Kennedy Ellington, from his childhood as the pampered and adored only son of a middle-class Washington black family to his death in 1974, hailed as "America's greatest composer" (according to the New York Times obituary) and mourned at his funeral by more than 10,000 people. Collier describes Ellington's charisma--his sense of being special even from childhood, when he would announce to his cousins "I am the grand, noble, Duke; crowds will be running to me,"...the formation of his band, including some of the greatest names in jazz history, among them, Barney Bigard, Johnny Hodges, Cootie Williams, Lawrence Brown, and Paul Gonzavles...his arrival at the legendary Cotton Club in Harlem in the 1920s...his involvement with his manager Irving Mills, who manipulated and cheated him and even put his name on some of Ellington's songs, but who made him famous...his relationship with his family, including his troubled relationship with his son, his marriage and many affairs (including involvements with some of his own musician's women). But most of all, the book is about the creation of the music, from classic songs like "Sophisticated Lady" to the "sacred concerts" of Ellington's last years. Collier maintains that it is not necessary to see Ellington as a "composer" in the narrow sense of the word but as something just as important: an improvising jazz musician. His instrument was a whole band.This is a controversial book--not all will agree with Collier's assessments--but it will enthrall jazz buffs as well as anyone interested in a fascinating life and times., Duke Ellington is considered to be one of the great genius' of jazz--its major composer and leader of probably the most significant of all jazz bands. Yet, other than his own not-very-revealing autobiography and a collection of reminiscences of his band members, there has never been an indepth biography of this preeminent figure in twentieth century music and entertainment. Here at last is the definitive critical biography of both the man and his music. James Lincoln Collier, author of the highly acclaimed Louis Armstrong: An American Genius , has produced a fascinating work which tells the full story of Edward Kennedy Ellington, from his childhood as the pampered and adored only son of a middle-class Washington black family to his death in 1974, hailed as America's greatest composer (according to the New York Times obituary) and mourned at his funeral by more than 10,000 people. Collier describes Ellington's charisma--his sense of being special even from childhood, when he would announce to his cousins I am the grand, noble, Duke; crowds will be running to me, ...the formation of his band, including some of the greatest names in jazz history, among them, Barney Bigard, Johnny Hodges, Cootie Williams, Lawrence Brown, and Paul Gonzavles...his arrival at the legendary Cotton Club in Harlem in the 1920s...his involvement with his manager Irving Mills, who manipulated and cheated him and even put his name on some of Ellington's songs, but who made him famous...his relationship with his family, including his troubled relationship with his son, his marriage and many affairs (including involvements with some of his own musician's women). But most of all, the book is about the creation of the music, from classic songs like Sophisticated Lady to the sacred concerts of Ellington's last years. Collier maintains that it is not necessary to see Ellington as a composer in the narrow sense of the word but as something just as important: an improvising jazz musician. His instrument was a whole band.This is a controversial book--not all will agree with Collier's assessments--but it will enthrall jazz buffs as well as anyone interested in a fascinating life and times.
LC Classification Number
ML410.E44C6 1987
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- 0***- (85)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoThis book is in great condition, just as described. I love the clear protective cover, and the paper cover is excellent for its age. The packaging was impressive, made sure there was no damage in shipping. Very happy with the quality and value, great eBay experience with this seller.
- a***a (377)- Feedback lasciato dall'acquirente.Ultimo annoAcquisto verificatoNot only did the seller work with me the seller packaged the books perfectly especially since they were being shipped to Michigan, and it was snowing. He insured that the books would not be damaged. Seller went out of his way would definitely do business with him again. Highly recommended The books were exactly how they were described and the value of these books are not only monetarily. priceless but also very dear to a collector.Dickens lot of 4 (N° 116448152915)
- d***e (1274)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoAccurately described. Packaged securely for shipment. Shipped quickly. Book was purchased at a great price. A+++ seller. Thanks!DAVE DAWSON On The RUSSIAN FRONT. Dave Dawson Series #10. (N° 115786388551)
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