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The Enemy in Italian Renaissance Epic by Andrea Moudarres, Images of Hostility

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ISBN
9781644530016

Informazioni su questo prodotto

Product Identifiers

Publisher
University of Delaware Press
ISBN-10
1644530015
ISBN-13
9781644530016
eBay Product ID (ePID)
21038796229

Product Key Features

Number of Pages
262 Pages
Language
English
Publication Name
Enemy in Italian Renaissance Epic : Images of Hostility from Dante to Tasso
Subject
Europe / Italy, Poetry, European / Italian
Publication Year
2019
Type
Textbook
Author
Andrea Moudarres
Subject Area
Literary Criticism, History
Series
The Early Modern Exchange Ser.
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
13 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
College Audience
LCCN
2019-286360
TitleLeading
The
Dewey Edition
23
Reviews
A significant contribution to a number of fields: Dante studies, medieval and Renaissance Italian literature, comparative epic, the politics of literature, and global, studies. Interdisciplinary and intercultural, this study provides a deeper understanding of major works from Dante to Tasso by viewing the theme of violence and/or war as well as the representation of the enemy, uncovering variations and parallels not treated in previous scholarship., A significant contribution to a number of fields: Dante studies, medieval and Renaissance Italian literature, comparative epic, the politics of literature, and global studies. Interdisciplinary and intercultural, this study provides a deeper understanding of major works from Dante to Tasso by viewing the theme of violence and/or war as well as the representation of the enemy, uncovering variations and parallels not treated in previous scholarship.
Grade From
Eleventh Grade
Grade To
College Graduate Student
Dewey Decimal
851.4
Synopsis
In The Enemy in Italian Renaissance Epic, Andrea Moudarres examines influential works from the literary canon of the Italian Renaissance, arguing that hostility consistently arises from within political or religious entities. In Dante's Divina Commedia, Luigi Pulci's Morgante , Ludovico Ariosto's Orlando Furioso, and Torquato Tasso's Gerusalemme Liberata, enmity is portrayed as internal, taking the form of tyranny, betrayal, and civil discord., In The Enemy in Italian Renaissance Epic, Andrea Moudarres examines influential works from the literary canon of the Italian Renaissance, arguing that hostility consistently arises from within political or religious entities. In Dante's Divina Commedia, Luigi Pulci's Morgante , Ludovico Ariosto's Orlando Furioso, and Torquato Tasso's Gerusalemme Liberata, enmity is portrayed as internal, taking the form of tyranny, betrayal, and civil discord. Moudarres reads these works in the context of historical and political patterns, demonstrating that there was little distinction between public and private spheres in Renaissance Italy and, thus, little differentiation between personal and political enemies. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press., In The Enemy in Italian Renaissance Epic, Andrea Moudarres examines influential works from the literary canon of the Italian Renaissance, arguing that hostility consistently arises from within political or religious entities. In Dante's Divina Commedia, Luigi Pulci's Morgante , Ludovico Ariosto's Orlando Furioso, and Torquato Tasso's Gerusalemme Liberata, enmity is portrayed as internal, taking the form of tyranny, betrayal, and civil discord. Moudarres reads these works in the context of historical and political patterns, demonstrating that there was little distinction between public and private spheres in Renaissance Italy and, thus, little differentiation between personal and political enemies. Distributed for the University of Delaware Press
LC Classification Number
PQ4117

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