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Ert'S Fashion Designs: 218 Illustrations from 'Harper's Bazar' 1918-1932 by Ert?
US $19,55
CircaEUR 16,95
Condizione:
- Compralo SubitoErt'S Fashion Designs: 218 Illustrations from 'Harper's Bazar' 1918-1932 by Ert?
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Oggetto che si trova a: Fairfield, Ohio, Stati Uniti
Consegna:
Consegna prevista tra il sab 8 nov e il sab 15 nov a 94104
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Numero oggetto eBay:365750371195
Specifiche dell'oggetto
- Condizione
- ISBN-13
- 9780486242033
- Type
- Does not apply
- ISBN
- 9780486242033
Informazioni su questo prodotto
Product Identifiers
Publisher
Dover Publications, Incorporated
ISBN-10
048624203X
ISBN-13
9780486242033
eBay Product ID (ePID)
27038306069
Product Key Features
Book Title
Erte's Fashion Designs : 218 Illustrations from Harper's Bazaar, 1918-1932
Number of Pages
88 Pages
Language
English
Topic
Individual Artists / Artists' Books, Individual Artists / General, Middle Eastern, Fashion & Accessories, Textiles & Costume, Journalism
Publication Year
1981
Illustrator
Yes
Genre
Design, Art, Poetry, Language Arts & Disciplines, Antiques & Collectibles
Book Series
Dover Fine Art, History of Art Ser.
Format
Trade Paperback
Dimensions
Item Weight
14.3 Oz
Item Length
12 in
Item Width
9 in
Additional Product Features
Intended Audience
Trade
LCCN
81-067396
Dewey Edition
19
Dewey Decimal
746.9/2
Synopsis
Splendid selection of 218 black-and-white inventions from legendary designer's productions for Harper's Bazar, 1918--32. Also 8 pages of full-color covers, originals now prized collector's items. Captions. Publisher's Note., Splendid selection of 218 black-and-white inventions from legendary designer's productions for Harper's Bazar, 1918-32. Also 8 pages of full-color covers, originals now prized collector's items. Captions. Publisher's Note., Erté once designed a costume for Mata Hari. Sixty-seven years later, still creating, he designed costumes and sets for the 1980 Glyndebourne Festival's Der Rosenkavalier. In between (mostly in the '20s) he was the only top Paris designer illustrating his own haute couture, most of the illustrations appearing in Harper's Bazar. An earlier volume ( Fashion Drawings and Illustrations from "Harper's Bazar" 0-486-23397-9) sampled some of Erté's enormous contributions to that magazine; this is another collection of original designs from Erté's triumphant Harper's Bazar period. "He envisioned women," wrote Stella Blum, Metropolitan Museum of Art Costume Institute Curator, "not only as ultra-chic creatures for whom money was no object, but also as . . . music hall stars, Assyrian princesses, Egyptian queens. . . . Yet under this veil of fantasy the clothes and accessories Erté created reveal a sound construction that really works." Erté loves elaborate decoration, but hates meaningless ornament; these 218 illustrations show how he integrates all his pockets, pearls, cuffs, fur linings, jeweled tassels, and seamless dresses into thematic unity, and maintains a consistent ideal of fashion, by constant improvisation and inventive wielding of pure line. His firework color sense finds spectacular realization in 8 full-color reproductions of Harper's Bazar covers, all of which are now prized collector's items. In both black-and-white and color work, his sinuous, undulating line and decorative flair never fail, and show why his fashion design has not only returned to popular favor, but is being seen in museums and galleries along with his paintings and prints. Over a career spanning the century, Erté has expressed his versatility in many forms; in these exquisite, delicate, theatrical miniatures (which will delight any lover of fashion history and graphics) he gives the very best of himself., Ert once designed a costume for Mata Hari. Sixty-seven years later, still creating, he designed costumes and sets for the 1980 Glyndebourne Festival's Der Rosenkavalier. In between (mostly in the '20s) he was the only top Paris designer illustrating his own haute couture, most of the illustrations appearing in Harper's Bazar. An earlier volume ( Fashion Drawings and Illustrations from "Harper's Bazar" 0-486-23397-9) sampled some of Ert 's enormous contributions to that magazine; this is another collection of original designs from Ert 's triumphant Harper's Bazar period. "He envisioned women," wrote Stella Blum, Metropolitan Museum of Art Costume Institute Curator, "not only as ultra-chic creatures for whom money was no object, but also as . . . music hall stars, Assyrian princesses, Egyptian queens. . . . Yet under this veil of fantasy the clothes and accessories Ert created reveal a sound construction that really works." Ert loves elaborate decoration, but hates meaningless ornament; these 218 illustrations show how he integrates all his pockets, pearls, cuffs, fur linings, jeweled tassels, and seamless dresses into thematic unity, and maintains a consistent ideal of fashion, by constant improvisation and inventive wielding of pure line. His firework color sense finds spectacular realization in 8 full-color reproductions of Harper's Bazar covers, all of which are now prized collector's items. In both black-and-white and color work, his sinuous, undulating line and decorative flair never fail, and show why his fashion design has not only returned to popular favor, but is being seen in museums and galleries along with his paintings and prints. Over a career spanning the century, Ert has expressed his versatility in many forms; in these exquisite, delicate, theatrical miniatures (which will delight any lover of fashion history and graphics) he gives the very best of himself., Erté once designed a costume for Mata Hari. Sixty-seven years later, still creating, he designed costumes and sets for the 1980 Glyndebourne Festival's Der Rosenkavalier. In between (mostly in the '20s) he was the only top Paris designer illustrating his own haute couture, most of the illustrations appearing in Harper's Bazar. An earlier volume ( Fashion Drawings and Illustrations from "Harper's Bazar" 0-486-23397-9) sampled some of Erté's enormous contributions to that magazi≠this is another collection of original designs from Erté's triumphant Harper's Bazar period. "He envisioned women," wrote Stella Blum, Metropolitan Museum of Art Costume Institute Curator, "not only as ultra-chic creatures for whom money was no object, but also as . . . music hall stars, Assyrian princesses, Egyptian queens. . . . Yet under this veil of fantasy the clothes and accessories Erté created reveal a sound construction that really works." Erté loves elaborate decoration, but hates meaningless ornament; these 218 illustrations show how he integrates all his pockets, pearls, cuffs, fur linings, jeweled tassels, and seamless dresses into thematic unity, and maintains a consistent ideal of fashion, by constant improvisation and inventive wielding of pure line. His firework color sense finds spectacular realization in 8 full-color reproductions of Harper's Bazar covers, all of which are now prized collector's items. In both black-and-white and color work, his sinuous, undulating line and decorative flair never fail, and show why his fashion design has not only returned to popular favor, but is being seen in museums and galleries along with his paintings and prints. Over a career spanning the century, Erté has expressed his versatility in many forms; in these exquisite, delicate, theatrical miniatures (which will delight any lover of fashion history and graphics) he gives the very best of himself.
LC Classification Number
TT505.E78
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- n***i (5)- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoMy statue was exactly as described, it was un-opened and in perfect condition! Totally wirth the price. Getting it shipped took a little long but the seller was very responsive when I messaged and sent me the tracking as soon as it was available. Plus they did a good job packaging it well enough that despite being banged up on the outside my item was completely undamaged.
grandeagleretail
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- m***4 (1619)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoLeaving positive feedback because 1) item was packed well & arrived as described 2) seller did give partial refund when subsequent price dropped below org purchase price. 3) communication was quick However, there was a downside to this transaction -item listed as in-stock but ended up waiting nearly a month for them to get it from their distributer then ship it to me (bought June 29th, arrived around July 21). Auction said 12-15 days. Better clarity would have prevented lot of frustrationStreet Fighter II - Guile (Player 2) Figure - 6 Inch (N° 365698737394)
- c***a (121)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoThe seller was very responsive and answered me on a timely matter. The product itself came in its packaging and was new, not used at all. The packaging was not beat up or anything, safely delivered to my mailbox. No mix ups and zero stress with delivery. The price for the product is completely understandable for the product. I really appreciate the seller and I am very happy to have purchased through this seller. Completely trustable!Mosby's Pharmacy Technician: Principles and Practice by Elsevier Inc (English) P (N° 396170382415)
- n***i (5)- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoMy statue was exactly as described, it was un-opened and in perfect condition! Totally wirth the price. Getting it shipped took a little long but the seller was very responsive when I messaged and sent me the tracking as soon as it was available. Plus they did a good job packaging it well enough that despite being banged up on the outside my item was completely undamaged.