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Narrative in Fiction and Film : An Introduction by Jakob Lothe SC
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Ritiro gratuito dell'oggetto in zona da Woburn, Massachusetts, Stati Uniti.
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US $4,40 (circa EUR 3,80) USPS Media MailTM.
Oggetto che si trova a: Woburn, Massachusetts, Stati Uniti
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Consegna prevista tra il mar 18 nov e il lun 24 nov a 94104
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Informazioni sull'oggetto
Il venditore si assume la piena responsabilità della messa in vendita dell'oggetto.
Numero oggetto eBay:335318783363
Specifiche dell'oggetto
- Condizione
- ISBN
- 9780198752325
Informazioni su questo prodotto
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0198752326
ISBN-13
9780198752325
eBay Product ID (ePID)
1700983
Product Key Features
Number of Pages
266 Pages
Publication Name
Narrative in Fiction and Film : an Introduction
Language
English
Subject
General, Rhetoric, Semiotics & Theory, Film / History & Criticism
Publication Year
2000
Type
Textbook
Subject Area
Literary Criticism, Performing Arts, Language Arts & Disciplines
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
16.6 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
99-058885
Reviews
'This is a valuable book, not least because of its inter-disciplinary nature; but it will be considered somewhat specialist by most students of film. Its focus on narrative and what this can mean in the broadest sense make it possible to see it as a useful tool within the expanding area ofcreative writing as an undergraduate discipline, particularly when students are asked to theorise their own narrative strategies or to experiment with different forms of narrative.' THES May 2000, 'This is a valuable book, not least because of its inter-disciplinarynature; but it will be considered somewhat specialist by most students of film.Its focus on narrative and what this can mean in the broadest sense make itpossible to see it as a useful tool within the expanding area of creativewriting as an undergraduate discipline, particularly when students are asked totheorise their own narrative strategies or to experiment with different forms ofnarrative.' THES May 2000, 'This is a valuable book, not least because of its inter-disciplinary nature; but it will be considered somewhat specialist by most students of film. Its focus on narrative and what this can mean in the broadest sense make it possible to see it as a useful tool within the expanding area of creative writing as an undergraduate discipline, particularly when students are asked to theorise their own narrative strategies or to experiment with different forms ofnarrative.' THES May 2000
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
808.3
Table Of Content
Part I1. Introduction2. Narrative Communication3. Narrative Time and Repetition4. Events, Characters, and CharacterizationPart II5. From the parable of the sower to Franz Kafka's The Trial and Orson Welles's The Trial6. James Joyce's 'The Dead' and John Huston's The Dead7. Josep Conrad's Heart of Darkness and Francis Ford Coppola's Apocalypse Now8. Virginia Woolf's To the Lighthouse and Colin Gregg's To the LighthouseBibliographyIndex
Synopsis
Narrative in Fiction and Film gives a clear presentation of key concepts of narrative theory such as author, narrator, and reader. The main focus of the book is on narrative fiction (short stories and novels), yet the film aspect is brought into each chapter. The first part of the book introduces the key concepts of narrative theory and the second part of the book illustrates and tests the theories by analysing five texts: the parable of the sower in St. Mark's Gospel, Franz Kafka's The Trial, James Joyce's The Dead, Joseph Conrad's Heart of Darkness, and Virginia Woolf's To the Lighthouse, and the film version of these texts., This introductory book presents key concepts of narrative theory (or "narratology") and analyses five prose texts--the parable of the sower in St. Mark's Gospel, Franz Kafka's The Trial, James Joyce's 'The Dead', Joseph Conrad's Heart of Darkness, and Virginia Woolf's To the Lighthouse--by applying the principles of narrative theory. This book also discusses film versions of four of these texts: Orson Welles's The Trial, John Huston's The Dead, Francis Ford Coppola's Apocalypse Now, and Colin Gregg's To the Lighthouse. By lucidly presenting the concepts of narrative theory and illustrating and testing these concepts Narrative in Fiction and Film will be an invaluable text for undergraduates studying narrative theory as part of a literature or film studies course., This introductory book presents key concepts of narrative theory (or "narratology") and analyses five prose texts--the parable of the sower in St. Mark's Gospel, Franz Kafka's The Trial , James Joyce's 'The Dead', Joseph Conrad's Heart of Darkness , and Virginia Woolf's To the Lighthouse --by applying the principles of narrative theory. This book also discusses film versions of four of these texts: Orson Welles's The Trial , John Huston's The Dead , Francis Ford Coppola's Apocalypse Now , and Colin Gregg's To the Lighthouse. By lucidly presenting the concepts of narrative theory and illustrating and testing these concepts Narrative in Fiction and Film will be an invaluable text for undergraduates studying narrative theory as part of a literature or film studies course., Narrative in Fiction and Film gives a clear presentation of key concepts of narrative theory. A growing field in the humanities, narrative theory (or 'narratology') studies such narratives, thus discussing central questions concerning human communication. This introductory book has a two-part structure: Part I presents key concepts of narrative theory - for example, author, narrator, time, perspective, event, characterization. The discussion is oriented towards narrative fiction and centred on literary texts, yet since film can also have an important narrative dimension, the film aspect is brought into each chapter. Part II analyses five prose texts: the parable of the sower in St. Mark's Gospel, Franz Kafka's The Trial, James Joyce's 'The Dead', Joseph Conrad's Heart of Darkness, and Virginia Woolf's To the Lighthouse. Part II also discusses film versions of four of these texts: Orson Welles's The Trial, John Huston's The Dead, Francis Ford Coppola's Apocalypse Now, and Colin Gregg's To the Lighthouse. The book brings together and lucidly presents concepts and theories in narrative theory, and illustrates and tests theses theories. It will be an invaluable text for undergraduates studying narrative theory as part of a literature or film studies course.
LC Classification Number
PN3355.L6713 2000
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