FLOWERS CRACKING CONCRETE: By Rosemary Candelario (2016 Trade Paperback){N9}

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Specifiche dell'oggetto

Condizione
Nuovo: Libro nuovo, intatto e non letto, in perfette condizioni, senza pagine mancanti o ...
ISBN
9780819576484
Categoria

Informazioni su questo prodotto

Product Identifiers

Publisher
Wesleyan University Press
ISBN-10
0819576484
ISBN-13
9780819576484
eBay Product ID (ePID)
219263969

Product Key Features

Number of Pages
302 Pages
Language
English
Publication Name
Flowers Cracking Concrete : Eiko and Koma's Asian/American Choreographies
Publication Year
2016
Subject
Ethnic Studies / Asian American Studies, Entertainment & Performing Arts, Dance / Choreography & Dance Notation
Type
Textbook
Author
Rosemary Candelario
Subject Area
Performing Arts, Social Science, Biography & Autobiography
Format
Trade Paperback

Dimensions

Item Weight
16 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2015-046034
Reviews
"distinctive for its extremely slow, minimalistic movement and their collaborative, hands-on approach to every aspect, from movement to costumes to sets(...)site-specific works aimed to convey a message about the spaces they were performed in"--Rachel Caldwell, Dance Teacher Magazine, "Clearly written, Flowers Cracking Concrete offers both a comprehensive, invaluable analysis of Eiko and Koma's work and a compelling, insightful examination. This book is indispensible reading for those interested in the histories and practices of contemporary concert dance, and in the luminous works of these internationally renowned artists."--Judith Hamera, professor of dance, Lewis Center for the Arts, Princeton University "Clearly written, Flowers Cracking Concrete offers both a comprehensive, invaluable analysis of Eiko and Koma's work and a compelling, insightful examination. This book is indispensible reading for those interested in the histories and practices of contemporary concert dance, and in the luminous works of these internationally renowned artists."--Judith Hamera, professor of dance, Lewis Center for the Arts, Princeton University "Eiko & Koma have been staggeringly creative pillars of American dance for decades. Now, Rosemary Candelario has given them their due in this rich picture of them as politically active avant-garde performers with complex Japanese/American identities who address intercultural contact, interfacing with nature, and communal mourning."--Bruce Baird, author of Hijikata Tatsumi and Butoh: Dancing in a Pool of Gray Grits " Flowers Cracking Concrete contributes a vital perspective to the growing scholarship on the groundbreaking artists Eiko & Koma. Professor Candelario's detailed examination of their artistic development over half a century situates it in relation to discourses of orientalism and Asian American identity in a way that is critically illuminating. It allows us to see the work of Eiko & Koma beyond the dead-ends of (orientalist) "identity" and deracinated aesthetics, while staying firmly grounded in Eiko & Koma's deeply personal and deeply political oeuvre."--Karen Shimakawa, New York University, "[D]istinctive for its extremely slow, minimalistic movement and their collaborative, hands-on approach to every aspect, from movement to costumes to sets ... site-specific works aimed to convey a message about the spaces they were performed in."--Rachel Caldwell, Dance Teacher Magazine, "[D]istinctive for its extremely slow, minimalistic movement and their collaborative, hands-on approach to every aspect, from movement to costumes to sets ... site-specific works aimed to convey a message about the spaces they were performed in."--Rachel Caldwell, Dance Teacher Magazine "Clearly written, Flowers Cracking Concrete offers both a comprehensive, invaluable analysis of Eiko and Koma's work and a compelling, insightful examination. This book is indispensible reading for those interested in the histories and practices of contemporary concert dance, and in the luminous works of these internationally renowned artists."--Judith Hamera, professor of dance, Lewis Center for the Arts, Princeton University
Dewey Edition
23
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
792.82
Table Of Content
Acknowledgments A Note About Japanese Names and Words Introduction From Utter Darkness to White Dance "Good Things Under 14th Street" Japanese/American Dancing-with Site and Screen Sustained Mourning Ground Zeroes "Take Me to Your Heart": Intercultural Alliances In Lieu of a Conclusion: "Step Back and Forward, and Be There" Notes Bibliography Index
Synopsis
Flowers Cracking Concrete is the first in-depth study of the forty-year career of Eiko & Koma--two artists from Japan who have lived and worked in New York City since the mid-1970s, establishing themselves as innovative and influential modern and postmodern dancers., Flowers Cracking Concrete is the first in-depth study of the forty-year career of Eiko & Koma--two artists from Japan who have lived and worked in New York City since the mid-1970s, establishing themselves as innovative and influential modern and postmodern dancers. They continue to choreograph, perform, and give workshops across the United States and around the world. Rosemary Candelario argues that what is remarkable about Eiko & Koma's dances is not what they signify but rather what they do in the world. Each chapter of the book is a close reading of a specific dance that reveals a choreographic theme or concern. Drawing on interviews, live performance, videos, and reviews, Candelario demonstrates how ideas have kinesthetically and choreographically cycled through Eiko & Koma's body of work, creating dances deeply engaged with the wider world through an active process of mourning, transforming, and connecting. Hardcover is un-jacketed., A long overdue study of two dance artists central to the American avant-garde dance scene since the 1970s Winner of the Oscar G. Brockett Book Prize for Dance Research (2018) Flowers Cracking Concrete is the first in-depth study of the forty-year career of Eiko & Koma--two artists from Japan who have lived and worked in New York City since the mid-1970s, establishing themselves as innovative and influential modern and postmodern dancers. They continue to choreograph, perform, and give workshops across the United States and around the world. Rosemary Candelario argues that what is remarkable about Eiko & Koma's dances is not what they signify but rather what they do in the world. Each chapter of the book is a close reading of a specific dance that reveals a choreographic theme or concern. Drawing on interviews, live performance, videos, and reviews, Candelario demonstrates how ideas have kinesthetically and choreographically cycled through Eiko & Koma's body of work, creating dances deeply engaged with the wider world through an active process of mourning, transforming, and connecting. Hardcover is un-jacketed.
LC Classification Number
GV1785.A1C36 2016

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