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Decorative Art, 30s, 40s: A Source Book by Charlotte&Pete r Fiell,575 pag.
The Alchemist
(3488)
Venditore professionale
US $35,00
CircaEUR 30,06
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Spedizione:
US $5,97 (circa EUR 5,13) USPS Media MailTM.
Oggetto che si trova a: Weaverville, North Carolina, Stati Uniti
Consegna:
Consegna prevista tra il gio 11 dic e il mar 16 dic a 94104
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Informazioni sull'oggetto
Il venditore si assume la piena responsabilità della messa in vendita dell'oggetto.
Numero oggetto eBay:257247357603
Specifiche dell'oggetto
- Condizione
- Era
- 1940s
- Original Language
- English
- Country of Origin
- Italy
- ISBN
- 9783822860526
Informazioni su questo prodotto
Product Identifiers
Publisher
Taschen
ISBN-10
3822860522
ISBN-13
9783822860526
eBay Product ID (ePID)
1742228
Product Key Features
Book Title
Decorative Arts, 1930s-1940s
Number of Pages
576 Pages
Language
Eng,Fre,Ger
Topic
Decorative Arts
Publication Year
2000
Illustrator
Yes
Genre
Design
Format
Trade Paperback
Dimensions
Item Height
1.8 in
Item Weight
60.1 Oz
Item Length
10.2 in
Item Width
8.1 in
Additional Product Features
Intended Audience
Trade
LCCN
2013-456810
Dewey Edition
21
Dewey Decimal
745.4/442
Synopsis
Taschen's Decorative Art series, whose six installments now span the 20th century up through the 1970s, carefully reproduces the best of Studio Magazine's Decorative Art yearbook. Published annually from 1906 until 1980, the yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publication went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. So how can the rest of us have a look? Taschen, of course! Preserving the yearbooks' original page layouts, Taschen's new Decorative Art books bring you an authentic experience of each decade's design trends and styles. Collect them all! Decorative art in the 1930s and '40s experienced a great shift from romanticism to rationalism, from the opulent Art Deco style to pared-down, pragmatic Modernism. Having made its debut in the late 1920s, the Modern Movement continued with force through the 1930s, championed most notably by Le Corbusier and Richard Neutra. Modernism's stark minimalism and use of industrial materials, which had previously seemed cold and threatening, became more accepted as a rational response to a time of great economic hardship. Excess and luxury were largely replaced by economy and simplicity as the Modernist style became more and more common. Through the end of the 1930s up until the postwar period, Modernism's original coolness was gradually replaced by more warm and human characteristics. Incorporating factors such as nature and psychology, as in the work of Charles Eames and Alvar Aalto, became a crucial part of Modernist design. This fascinating transition from hard-edgedModernism to its softer, more organic descendent is faithfully reproduced in Decorative Arts 1930s & 1940s. An essential reference for anyone interested in this period!, Taschen's Decorative Art series, whose six installments now span the 20th century up through the 1970s, carefully reproduces the best of Studio Magazine's Decorative Art yearbook. Published annually from 1906 until 1980, the yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publication went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. So how can the rest of us have a look? Taschen, of course Preserving the yearbooks' original page layouts, Taschen's new Decorative Art books bring you an authentic experience of each decade's design trends and styles. Collect them all Decorative art in the 1930s and '40s experienced a great shift from romanticism to rationalism, from the opulent Art Deco style to pared-down, pragmatic Modernism. Having made its debut in the late 1920s, the Modern Movement continued with force through the 1930s, championed most notably by Le Corbusier and Richard Neutra. Modernism's stark minimalism and use of industrial materials, which had previously seemed cold and threatening, became more accepted as a rational response to a time of great economic hardship. Excess and luxury were largely replaced by economy and simplicity as the Modernist style became more and more common. Through the end of the 1930s up until the postwar period, Modernism's original coolness was gradually replaced by more warm and human characteristics. Incorporating factors such as nature and psychology, as in the work of Charles Eames and Alvar Aalto, became a crucial part of Modernist design. This fascinating transition from hard-edgedModernism to its softer, more organic descendent is faithfully reproduced in Decorative Arts 1930s & 1940s. An essential reference for anyone interested in this period
LC Classification Number
NK1390
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