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Robert Polidori : After the Flood by Steidl (2006, Hardcover)
US $25,00
CircaEUR 21,67
Condizione:
“Good++ condition. No writing or tears to pages. A couple creases on front endpaper... no other ”... Maggiori informazioniinformazioni sulla condizione
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Ritiro:
Ritiro gratuito dell'oggetto in zona da New Orleans, Louisiana, Stati Uniti.
Spedizione:
US $4,00 (circa EUR 3,47) USPS Media MailTM.
Oggetto che si trova a: New Orleans, Louisiana, Stati Uniti
Consegna:
Consegna prevista tra il mer 5 nov e il lun 10 nov a 94104
Restituzioni:
Restituzioni entro 30 giorni. Le spese di spedizione del reso sono a carico del venditore.
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Numero oggetto eBay:116816447193
Specifiche dell'oggetto
- Condizione
- Buone condizioni
- Note del venditore
- Features
- Dust Jacket
- Country/Region of Manufacture
- Germany
- Edition
- First Edition
- ISBN
- 9783865212771
Informazioni su questo prodotto
Product Identifiers
Publisher
Steidl Gmbh & Co. Ohg
ISBN-10
3865212778
ISBN-13
9783865212771
eBay Product ID (ePID)
63149194
Product Key Features
Book Title
Robert Polidori : after the Flood
Number of Pages
336 Pages
Language
English
Topic
Natural Disasters, Individual Photographers / Artists' Books
Publication Year
2006
Illustrator
Yes
Genre
Nature, Photography
Format
Hardcover
Dimensions
Item Height
4.7 in
Item Weight
176.4 Oz
Item Length
14.2 in
Item Width
12.6 in
Additional Product Features
Intended Audience
Trade
Reviews
Photographer Robert Polidori... immediately understood the impact the Category 3 storm had on the city he had once called home... While he didn't get to meet many of the home owners, he did gain an understanding of them through their belongings.
Synopsis
A record of the destruction caused by Hurricane Katrina in September 2005. Photographer Robert Polidori, entered and photgraphed the abandoned houses, many of which were still water-logged or carried the 8 ft tide-mark of the floods. He thought of his photographs as the work of a psychological voyeur, mapping the lives of the absent people through their abandoned belongings, but struggled with the problem of making beautiful images from human disaster., Haunting photographs documenting the destruction of Hurricane Katrina In late September 2005, Robert Polidori traveled to New Orleans to record the destruction caused by Hurricane Katrina and by the city's broken levees. He found the streets deserted, and, without electricity, eerily dark. The next day he began to photograph, house by house: "All the places I went in, the doors were just open. They had been opened by what I collectively call the army, ' of maybe 20 National Guards from New Hampshire, 15 policemen from Minneapolis, 20 firefighters from New York... On maybe half of them or a third of them that I went in, I think that the occupants had been there prior. And some of them did leave certain funeral-like mementos before they left. Maybe right after the waters receded they had the chance to just--to go back to their place and just see, and realize there's nothing worth saving." Amidst all this, Polidori has found something worth saving, has created mementos for those who could not return, documenting the paradoxically beautiful wreckage. In classical terms, he has found ruins. The abandoned houses he recorded were still waterlogged as he entered and as he learned (by trial and error, a process that including finding a dead body) the language of signs and codes in which rescue workers had spray-painted each house's siding. He sees the resulting photographs as the work of a psychological witness, mapping the lives of the absent and deceased through what remains of their belongings and their homes., Haunting photographs documenting the destruction of Hurricane Katrina In late September 2005, Robert Polidori traveled to New Orleans to record the destruction caused by Hurricane Katrina and by the city's broken levees. He found the streets deserted, and, without electricity, eerily dark. The next day he began to photograph, house by house: "All the places I went in, the doors were just open. They had been opened by what I collectively call Îthe army,' of maybe 20 National Guards from New Hampshire, 15 policemen from Minneapolis, 20 firefighters from New York... On maybe half of them or a third of them that I went in, I think that the occupants had been there prior. And some of them did leave certain funeral-like mementos before they left. Maybe right after the waters receded they had the chance to just--to go back to their place and just see, and realize there's nothing worth saving." Amidst all this, Polidori has found something worth saving, has created mementos for those who could not return, documenting the paradoxically beautiful wreckage. In classical terms, he has found ruins. The abandoned houses he recorded were still waterlogged as he entered and as he learned (by trial and error, a process that including finding a dead body) the language of signs and codes in which rescue workers had spray-painted each house's siding. He sees the resulting photographs as the work of a psychological witness, mapping the lives of the absent and deceased through what remains of their belongings and their homes., In late September 2005, Robert Polidori traveled to New Orleans to record the destruction caused by Hurricane Katrina and by the city's broken levees. He found the streets deserted, and, without electricity, eerily dark. The next day he began to photograph, house by house: "All the places I went in, the doors were just open. They had been opened by what I collectively call the army, ' of maybe 20 National Guards from New Hampshire, 15 policemen from Minneapolis, 20 firefighters from New York... On maybe half of them or a third of them that I went in, I think that the occupants had been there prior. And some of them did leave certain funeral-like mementos before they left. Maybe right after the waters receded they had the chance to just--to go back to their place and just see, and realize there's nothing worth saving." Amidst all this, Polidori has found something worth saving, has created mementos for those who could not return, documenting the paradoxically beautiful wreckage. In classical terms, he has found ruins. The abandoned houses he recorded were still waterlogged as he entered and as he learned (by trial and error, a process that including finding a dead body) the language of signs and codes in which rescue workers had spray-painted each house's siding. He sees the resulting photographs as the work of a psychological witness, mapping the lives of the absent and deceased through what remains of their belongings and their homes.
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- 8***c (177)- Feedback lasciato dall'acquirente.Ultimo annoAcquisto verificatoFantastic and above the description and quality! Packaged and shipped with upmost care and attention to detail. A bargain for a first edition. Great communication throughout the process and provided the background and history of the books previous owner. Highly recommended seller 😃Lanterns on the Levee by William Alexander Percy, 1st / 4th print (1941) (N° 116498454818)
- a***g (37)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoWonderful! Better than expected in every way. I have never received an order packaged as well—it arrived quickly and in perfect condition. I’d definitely recommend this seller and buy again myself.
- i***9 (2130)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoGreat eBay transaction, quick shipping and delivery, great seller
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